At 85, Grace Slick, the iconic voice of Jefferson Airplane, continues to captivate audiences with her stories from the rock ‘n’ roll era.

One of her most intriguing tales involves none other than Jim Morrison, the enigmatic frontman of The Doors.

Their paths crossed during the late 1960s, a time marked by rebellion, free love, and psychedelic music.

Slick’s recent revelations about Morrison offer a glimpse into the chaotic world they inhabited and the unique connection they shared.

 

In 1968, Jefferson Airplane and The Doors toured Europe together, representing the pinnacle of America’s counterculture movement.

Grace Slick was already a star, known for her powerful voice and hits like “White Rabbit.

” Jim Morrison, with his wild hair and magnetic presence, was the “Lizard King,” captivating audiences with his poetic lyrics and unpredictable energy.

Their encounters were not just professional; they became personal, leaving a lasting impression on Slick.

 

Grace recalls the first time she truly noticed Jim.

It was 1967 at the Tropicana Motel in West Hollywood.

Alongside her bandmate Paul Kantner, she stumbled upon Morrison stark naked, high on acid, and barking like a dog.

While Paul stepped over him without a second thought, Grace was mesmerized.

She found it both hilarious and bizarre, a vivid introduction to the chaotic spirit of Morrison.

 

Fast forward to 1968, during their European tour, Grace felt drawn to Jim.

One night in London at the Belgravia Hotel, she decided to visit his room, using a secret knock known only to Jefferson Airplane members.

When Jim opened the door, flashing his famous smile, the night turned into a whirlwind of laughter and spontaneity.

They smeared fruits like strawberries and grapes on each other, creating a playful, childlike atmosphere.

Grace described the experience as “making love to a floating art form,” highlighting the surreal and artistic nature of their encounter.

 

However, the aftermath was bittersweet.

After their night together, Grace casually told Jim, “Call me if you want,” but he never did.

Reflecting on it years later, she joked, “Apparently, I’m a terrible lay.

” Despite the sting of rejection, she understood Jim’s chaotic lifestyle and his inability to maintain connections.

 

Their story didn’t end there.

Later in Amsterdam, the two bands were hanging out when they scored some Lebanese hashish.

While others saved it for later, Jim impulsively consumed a large piece right there.

That night, during a Jefferson Airplane set, Jim stumbled onto the stage, swaying and singing alongside Grace.

The crowd erupted in cheers, but soon after, Jim retreated to the dressing room, collapsing from the effects of his indulgence.

Grace found humor in the situation but also recognized the warning signs.

She had witnessed Jim’s struggles with substance abuse and understood the precariousness of his lifestyle.

Jim’s death in 1971 at the age of 27 was not a surprise to her; it felt inevitable given his reckless behavior.

 

Years later, after achieving sobriety in the 1990s, Grace began painting.

Jim Morrison became a recurring subject in her artwork.

She created a full-body portrait of him, depicting him as a rock and roll Jesus, and another sketch capturing his striking features.

For Grace, painting Jim was not an act of bitterness but a way to keep his memory alive, an acknowledgment of the wild moments they shared.

 

Even at 85, Grace Slick maintains her rebellious spirit.

She reflects on their brief encounter with a mix of nostalgia and clarity.

She sees Jim as a genius, a beautiful disaster, and a reflection of the chaotic times they lived in.

Their fling was not a grand romance but rather a snapshot of the 60s, filled with laughter, drugs, and a sense of freedom.

 

Grace’s perspective on rock and roll is unvarnished.

She describes the scene as filled with “spoiled brats obsessed with fun, money, and who they could sleep with,” a lifestyle she fully embraced during her youth.

Her night with Jim was just one chapter in a life filled with excess and creativity.

Yet, it remains significant, representing a moment of connection amid the chaos.

 

As she reminisces about the era, Grace acknowledges the loss of many of her contemporaries, including Janis Joplin and Jimi Hendrix.

Yet, she stands as a living testament to a time when music was a revolutionary force.

Her stories, including those of Jim Morrison, are not mere gossip; they are windows into an era defined by its audacity and creativity.

Grace Slick’s memories of Jim Morrison are layered with the complexities of their time.

They were both products of an era that celebrated rebellion and artistic expression.

While their encounter was fleeting, it encapsulated the essence of the 60s—wild, unpredictable, and full of life.

At 85, Grace continues to share these stories, reminding us of the vibrant tapestry of rock history and the remarkable individuals who shaped it.

Her reflections serve as a poignant reminder of a time when music was not just entertainment but a way of life, and Jim Morrison remains a vivid, if complicated, part of that legacy.

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