In the world of Hollywood, casting decisions often stir up intrigue and speculation.

The recent revelations about Blake Lively’s attempts to secure a more prominent role in the blockbuster film *Barbie* have ignited discussions about creative control and industry dynamics.

This article delves into the unfolding drama between Lively and Margot Robbie, the film’s star and producer, and the implications for their careers.

When the cast for *Barbie* was being assembled, Blake Lively was among the high-profile names considered for a role.

Her previous collaboration with America Ferrera in *The Sisterhood of the Traveling Pants* positioned her as a fitting candidate for a film that aimed to celebrate iconic female ensembles.

Lively’s public persona as a glamorous, bubbly Hollywood sweetheart made her an obvious choice for a project directed by Greta Gerwig, known for her feminist narrative style.

However, as negotiations progressed, it became clear that Lively had ambitions that extended beyond a fun supporting role.

While many actresses, including Margot Robbie, Dua Lipa, and Hari Nef, embraced the film’s collective celebration of femininity, Lively sought a larger part and more creative input.

Reports suggest that she attempted to reshape her character into something more significant than originally envisioned, creating tension behind the scenes.

Lively expressed her desire for authorship in the storytelling process, which she felt was essential for her fulfillment as an actress.

This desire, however, clashed with the collaborative spirit that Robbie and Gerwig aimed to cultivate.

Margot Robbie, who not only starred in but also produced *Barbie*, was clear about her vision for the film.

She wanted an atmosphere of collaboration, not one overshadowed by individual ambitions.

Robbie’s position as a producer gave her the authority to shut down discussions about expanding Lively’s role.

The moment Lively began to push for more influence, sources indicate that Robbie closed the door on any further negotiations.

Robbie’s commitment to maintaining a positive working environment and her reputation for fostering strong relationships in Hollywood played a crucial role in this decision.

The situation highlights a broader pattern in Lively’s career.

Insiders have noted that she has previously attempted to exert creative control over her roles, which has led to friction on set.

Her involvement in the film *It Ends With Us* reportedly saw her pushing for significant script changes, which frustrated director Justin Baldoni and created tensions that escalated into legal disputes.

The decision to exclude Lively from *Barbie* was not just a casting choice; it was a statement about the dynamics of power and influence in Hollywood.

Margot Robbie’s ability to navigate these waters without public drama speaks to her professionalism and strategic approach to her career.

While Lively’s absence from the film went largely unnoticed amid its massive success—grossing over a billion dollars—it raises questions about her approach to collaboration in the industry.

As Lively faces increasing scrutiny over her methods, the fallout from her attempts at control is becoming evident.

Industry insiders are reportedly distancing themselves from her, with notable figures like Anna Kendrick expressing a desire to limit joint appearances during promotional events.

Even America Ferrera, who once enjoyed a close working relationship with Lively, has not spoken about her in years.

The contrasting careers of Robbie and Lively illustrate a critical lesson in Hollywood: relationships matter.

Margot Robbie has built a reputation for collaboration and respect, earning her a place among the most powerful women in the industry.

In contrast, Lively’s pattern of pushing for control may be alienating her from potential collaborators.

As the industry evolves, actors who can balance ambition with respect for the creative process are likely to thrive.

Robbie’s approach—building projects from the ground up and earning her influence—stands in stark contrast to Lively’s alleged attempts to reshape narratives to elevate her own standing.

Blake Lively’s experience with *Barbie* serves as a cautionary tale for aspiring actors and industry veterans alike.

While ambition is essential, understanding the collaborative nature of filmmaking is equally crucial.

As Lively navigates the repercussions of her choices, the question remains: will she adapt her approach to fit within the established norms of Hollywood, or will she continue to push for control, risking further isolation?

Ultimately, Margot Robbie’s successful management of her role in *Barbie*—both as a producer and actress—demonstrates the power of collaboration and mutual respect in an industry often fraught with competition.

As the dust settles on this controversy, it’s clear that Robbie’s strategic decisions have not only shaped her career but also set a standard for how to navigate the complex world of Hollywood.

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] Blake Lively was almost a Barbie almost when the cast list for Barbie was coming together Blake was among the many high-profile names being considered for a role it wasn’t just a random Choice her past work with America Ferrera in The Sisterhood of the Traveling Pants made her a natural fit for the project the film’s team had a vision of celebrating actresses who had been part of iconic female Le ensembles adding a nostalgic touch to Greta gerwig’s feminist pastel infused Masterpiece with her reputation as a glamorous

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fashionista and her Public Image as Hollywood’s bubbly blonde sweetheart Blake seemed like an obvious choice but behind the scenes things didn’t go the way she planned from the moment she entered negotiations insiders say Blake was looking for more than just a fun supporting role as one of the Barbies while many of the actress’s cast Margo Robbie Issa dualipa and Hari nef understood that the film was a collective celebration of different types of femininity Blake reportedly had bigger Ambitions instead of embracing

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the spirit of The Ensemble she wanted a larger role pushing for more creative input and even attempting to shape her character into something more significant than what was written this is important to say okay um I believe in in this and that’s why I’m standing up for it and that’s why I’m not being difficult and then there are other moments to go like am I the in the room like what is happening here I would show up on a set I knew that they just wanted me to show up and look cute and stand on a little pink sticker where

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I’m supposed to go and say what I’m supposed to say but I also knew that like that wasn’t fulfilling for me that I wanted to be a part of the storytelling that I wanted to be a part of the narrative whether that be in the writing and the costume design and creating the character and sometimes I had directors or or producers or writers who would welcome that and invite that once they saw that I was able to offer that and sometimes I would have people who really resented that because they were like we just hired you to be an

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actor yet when I went in the meetings I would just seem like I’m just there to be the actor and ready to get the gig I wouldn’t reveal that I actually need to have authorship in order to feel fulfilled so I think that for them sometimes that might have felt like a rug pole because you’re like you’re trying to assert yourself into something that we didn’t hire you to do um and so it was like it was a really strange position to be in because I felt like I don’t want to just like be a actor like I want to you know I want to I want to

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have more authorship it’s just it wasn’t enough to simply be part of the Barbie Universe she wanted a moment to stand out the problem Margot Robbie wasn’t having it Not only was Margot the star of the movie but she was also one of the film’s producers through her company Lucky chap entertainment I didn’t actually audition for the role of Bobby I produced the film so I guess I cast myself but I did make it very clear to Greta I said to her when she said yes I’ll come on board I don’t have to be in the movie um you know I’m very